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The Rise
The gift of failure is a riddle: it will always be both the void and the start of infinite possibility. Part investigation into a psychological mystery, part an argument about creativity and art, and part a soulful celebration of the determination and courage of the human spirit, SARAH ELIZABETH LEWIS makes the case that many of the world’s greatest achievements have come from understanding the central importance of failure.
Vision & Justice
SARAH ELIZABETH LEWIS's Vision & Justice wrestles with the question of how the foundational right of representation in a democracy, the right to be recognized justly, has historically and is still urgently tied to the work of visual representation in the public realm.
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Sarah Elizabeth Lewis is an art and cultural historian. She is an associate professor of history of art and architecture and African and African American studies at Harvard University and the founder of Vision & Justice. Lewis also serves on the Standing Committee on American Studies and Standing Committee on Women, Gender, and Sexuality at Harvard University. Her research focuses on the intersection of visual representation, racial justice, and democracy in the United States from the nineteenth century through the present. Her books and edited volumes include The Rise, translated into seven languages, Carrie Mae Weems, which won the 2021 Photography Network Book Prize, and “Vision & Justice” by Aperture magazine which received the 2017 Infinity Award for Critical Writing and Research from the International Center of Photography. In 2019, Lewis received the Freedom Scholar Award, presented by The Association for the Study of African American Life and History for her body of work and its “direct positive impact on the life of African-Americans.” She was named an Andrew Carnegie Fellow in 2022.
Her forthcoming publications include How Race Changed Sight in America (Harvard University Press, 2024), Vision & Justice (One World/Random House, Fall 2024), and Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law (Spring 2024). The article on which Groundwork is based, published in Art Journal (Winter 2020), won the 2022 Arthur Danto/ASA Prize from the American Philosophical Association for “the best paper in the field of aesthetics, broadly understood.” A frequent speaker at universities and conferences, including TED and SXSWedu, she has had op-eds, commentary, and profiles of her work published in outlets including The New York Times, Aperture, The New York Review of Books, The New Yorker, The Atlantic, and The Boston Globe.
Lewis’s research has received fellowship and grant support from the Ford Foundation, the Hutchins Center for African & African American Research at Harvard University, the Gilder Lehrman Center for the Study of Slavery, Resistance, and Abolition, the Whiting Foundation, the Lambent Foundation, and the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library.
Before joining the faculty at Harvard, she held curatorial positions at The Museum of Modern Art, New York and the Tate Modern, London. She also served as a Critic at Yale University School of Art. Lewis currently serves on the boards of Thames & Hudson Inc., Creative Time, Harvard Design Press, and Civil War History journal, and is a member of the Yale University Honorary Degrees Committee. Her past board service includes the Andy Warhol Foundation of the Visual Arts, The Brearley School, and The CUNY Graduate Center. She received her bachelor’s degree from Harvard University, an M. Phil from Oxford University, an M.A. from Courtauld Institute of Art, and her Ph.D. from Yale University. She lives in New York City and Cambridge, MA.
My Speaker List
